That this play is at the Globe, the home of Shakespeare, only underscores that it is not in the Shakespearean tradition. The great English playwright… - Helen Lewis

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That this play is at the Globe, the home of Shakespeare, only underscores that it is not in the Shakespearean tradition. The great English playwright is still revered today because he drove the possibilities of drama forward, creating characters with psychological depth and ambiguity. I, Joan is part of an older tradition, the medieval morality play. These pitted virtues and vices against one another for the soul of the protagonist: Greed and Sloth raged against Chastity and Patience. In I, Joan, that conflict has given way to one between Cisnormativity and Authenticity. I, Joans supporting characters exist not as people but as conduits for the moral lesson being delivered to the audience.

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About Helen Lewis

Helen Lewis (born 30 September 1983) is a British journalist and a staff writer at The Atlantic. She is a former deputy editor of the New Statesman, and has also written for The Guardian, The Times and The Sunday Times.

Also Known As

Alternative Names: Helen Lewis-Hasteley Helen Alexandra Lewis
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With the pistols, my shots pulled down from the recoil or the weight. But the AR‑15 nestled into my shoulder pad, and the shots skipped out of it and into the center of the target. I felt like I was in Call of Duty, with the same confidence that there would be no consequences for my actions; that if anything went wrong, I could just respawn.
Later, a friend texted to ask how firing the rifle had been. I loved it, I said. No one should be allowed to have one. This is not a sentiment to be expressed openly in DeSantis’s Florida.

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Dahl's novels share many of their flaws with the books of Ian Fleming, born eight years earlier and a survivor of the same vicious public-school system. The writers knew each other, from their mutual involvement in wartime espionage, and their estates pose the same problem: They are money machines, but the original works embarrass their current owners. Fleming's James Bond was a suave misogynist prone to slapping women and making disparaging remarks about "Chinamen." Today's audiences would recoil from that version of 007.

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