Dahl's novels share many of their flaws with the books of Ian Fleming, born eight years earlier and a survivor of the same vicious public-school syst… - Helen Lewis

This debate needs fewer rainbow sprinkles, fewer accusations of feminist bigotry, and more recognition that sometimes there are no perfect solutions.

This is a tragic story, from start to finish. The imperial over-reach of a handful of trans activists, in trying to rewrite widely accepted ideas about gender by stealth, has done nothing to improve the lives of trans people. The time wasted by Stonewall and other organisations, which have spent more than a year chasing a legal change that wasn’t even a priority for those interviewed by the inquiry.

[Concerning Harry & Meghan, the 2022 Netflix series about the Duke and Duchess of Sussex.] Unless you have a gaping void where your soul should be, you will notice that the couple do seem to be genuinely smitten with each other. Yet—and this is where it gets tricky—they also appear to be in love with the idea of being "Harry and Meghan" (or, as they might put it, "H and M"). There's an uncomfortable Bonnie-and-Clyde, John-and-Yoko, folie-à-deux undercurrent throughout, as if taking on the Royal Family’s racism and the British press's lack of scruples has become their mission. Us against the world. That is a noble intention, but it has the side effect of centering their entire lives on two institutions that they despise. Do they really want to spend the next 40 years as small, angry planets trapped in the gravitational pull of the Windsors? And have they not heard of diminishing returns? This plotline might sustain Harry's book sales and one or two forgettable Netflix projects after that, but it ends with them delivering $150 birthday messages on Cameo by 2030.