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I’m not suggesting that every aspect of popular culture has the pedagogical potential of Antigone or the Aeneid, and I’m not suggesting that “classic… - Michael Bérubé
" "I’m not suggesting that every aspect of popular culture has the pedagogical potential of Antigone or the Aeneid, and I’m not suggesting that “classic” popular culture can do all of the intellectual work of core courses in Western Civ. The advent of “classic” popular culture means, among other things, that the cultural dreck of your childhood has somehow survived to become the cultural dreck of your children’s childhood. But it also means that popular culture is not necessarily ephemeral after all, and that the saga of Star Wars and the faux funk of KC and the Sunshine Band may in fact unite the past two generations more effectively than any number of Great Books and Western Civ courses. The curious thing about teaching popular culture these days, then, is really this: while so much of it is transitory and ephemeral, so much of it, surprisingly enough, seems to be here to stay.
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About Michael Bérubé
Michael Bérubé (born 1961) is an Edwin Erle Sparks Professor of Literature at Pennsylvania State University, where he teaches American literature, disability studies, and cultural studies. He is the author of several books on cultural studies, disability rights, liberal and conservative politics, and debates in higher education.
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Michael Berube
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I also tell students that an essay of two thousand words doesn’t give them all that much space to get going. “You’ve only got a few pages to make that argument of yours. You don’t need a grand introductory paragraph that begins, ‘Mark Twain is one of Earth’s greatest writers.’ It’s far better to start by giving us some idea of what you’ll be arguing and why. If you like, you can even begin by pointing us to a particularly important passage that will serve as the springboard for your larger discussion: ‘Not long after the second scaffold scene in The Scarlet Letter, when Arthur Dimmesdale joins hands with Hester Prynne and her daughter, Pearl, Nathaniel Hawthorne asks us to reconsider the meaning of the scarlet A on Hester’s breast.’”
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Sokal was right to warn us that a certain kind of skepticism toward science could allow for a meeting of the minds between postmodernists and Creationists but was wrong to imagine that such a skepticism need necessarily flow from an attitude of epistemological relativism: as David Albert pointed out, the epistemological and political ducks just don’t always line up that way.
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