I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are … - Eugène Delacroix

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I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc... ..but the beauty of verse does not consist of exactitude in obeying rules.. .It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.

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About Eugène Delacroix

Eugène Delacroix (April 26 1798 – August 13 1863) was a French painter, one of the leading artists of Romanticism in Europe of the nineteenth century.

Biography information from Wikiquote

Also Known As

Alternative Names: Ferdinand Victor Eugène Delacroix Ferdinand-Victor-Eugène Delacroix Ferdinand-Victor-Eugene Delacroix Eugene Delacroix Ferdinand-Eugène-Victor Delacroix Ferdinand Victor Eugene Delacroix Ferdinand-Eugene-Victor Delacroix Delacroix
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Additional quotes by Eugène Delacroix

One should always be desiring or hoping for something. When one can hope for that which one desires, one enjoys the greatest happiness of which our thinking apparatus is capable. To obtain what one has been desiring is the first step to the depths of sadness and even pain, from which one can never emerge. The sea still enchants me; I linger for three or four hours at a time on the jetty or at the edge of the cliffs. Impossible to tear oneself away. If I could lead such a life for a certain time, coupling it with some interesting occupation, I should enjoy excellent health.

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We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.

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