Nunca he llegado a tener afinidad ni a sentirme realmente cómodo con personas que no leen o que nunca han leído. Para mí es un requisito esencial. De… - James Salter

None of this is true. I've said Autun, but it could easily have been Auxerre. I'm sure you'll come to realize that. I am only putting down details which entered me, fragments that were able to part my flesh. It's a story of things that never existed although even the faintest doubt of that, the smallest possibility, plunges everything into darkness. I only want whoever reads this to be as resigned as I am. There's enough passion in the world already. Everything trembles with it. Not that I believe it shouldn't exist, no, no, but this is only a thin, reflecting sliver which somehow keeps catching the light.

He could not imagine what he was doing here, what he was waiting for, what he expected to find. Paris – it was like a great terminal he was already leaving, with a multitude of signs, neon and enamel, repeated again and again as if announcing a performance. The people of Paris with their cigarettes and dogs, the stone roofs and restaurants, green buses, gray walls, he had held their attention for a moment. The affiches with his face on them had vanished but he had stayed on. He saw it clearly as, at a certain place in life, one sees both the beginning and end: Paris had discarded him.

Some things, as I say, I saw, some discovered, and some dreamed, and I can no longer differentiate between them. But my dreams are as important as anything I acquired by stealth. More important, because they are the intuitive in its purest state. Without them, facts are no more than a kind of debris, unstrung, like beads. The dreams are as true and manifest as the iron fences of France flashing black in the rain. More true, perhaps. They are the skeleton of all reality.