James Salter Quotes

His world was small, an illiterate county seat, a backward state, though from it he fashioned something greater, far greater perhaps than he ever knew. A writer cannot really grasp what he has written. It is not like a building or a sculpture; it cannot be seen whole. It is only a kind of smoke seized and printed on a page.

That night she heard the branches tapping against the house and the window frames rattle. She sat alone and thought of the geese, she could hear them out there. It had gotten cold. The wind was blowing their feathers. They lived a long time, ten or fifteen years, they said. The one they had seen on the lawn might still be alive, settled back into the fields with the others, in from the ocean where they went to be safe, the survivors of bloody ambushes. Somewhere in the wet grass, she imagined, lay one of them, dark sodden breast, graceful neck still extended, great wings striving to beat, bloody sounds coming from the holes in its beak. She went around and turned on the lights. The rain was coming down, the sea was crashing, a comrade lay dead in the whirling darkness.

Lines that seemed unconnected gradually becomes part of a confession that had at its center rooms in the burning heat of August, where something has taken place, clearly sexual, but it is also the vacant streets of rural Texas, roads, forgotten friends, the slap of hands of rifle slings and forked pennants limp at parades. There are condoms, sun-faded cars, soiled menus with misspellings, a kind of pyre on which he had laid his life. That was why he seemed so pure – he had given all.

Everyone lies about their lives, but he had not lied about his.

He had made of it a noble lament, through it always running this thing you have had, that you will always have, but can never have. (There stood Erechteus, polished limbs and greaves....come to me, Hellas, I love for your touch.)

I had met him at a party and only managed to say, – I read your beautiful poem.

What the joys of music were to others, words on a page were to him.

There were other houses that always brought images of an orderly life, kitchens with plain sideboards, old windows, the comforts of marriage in their common form, which at times surpassed everything — breakfast in the morning, conversations, late hours, and nothing that suggested excess or decay.

I'm bored with happy couples. I don't believe in them. They're false. They're deceiving themselves.

Gertrude Stein, when asked why she wrote, replied "For praise." Lorca said he wrote to be loved. Faulkner said a writer wrote for glory. I may at times have written for those reasons, it's hard to know. Overall I write because I see the world in a certain way that no dialogue or series of them can begin to describe, that no book can fully render, though the greatest books thrill in their attempt.
A great book may be an accident, but a good one is a possibility, and it is thinking of that that one writes. In short, to achieve. The rest takes care of itself, and so much praise is given to insignificant things that there is hardly any sense in striving for it.
In the end, writing is like a prison, an island from which you will never be released but which is a kind of paradise: the solitude, the thoughts, the incredible joy of putting into words the essence of what you for the moment understand and with your whole heart want to believe.

LIFE IS WEATHER. LIFE IS MEALS. Lunches on a blue checked cloth on which salt has spilled. The smell of tobacco. Brie, yellow apples, wood-handled knives.

Afterwards he sat with the paper, the Sunday edition, immense and sleek, which had lain unopened in the hall. In it were articles, interviews, everything fresh, unimagined; it was like a great ship, its decks filled with passengers, a directory in which was entered everything that had made any difference to the city, the world. A great vessel sailing each day, he longed to be on it, to enter its salons, to stand near the rail.

The children playing by the fountains will become old men, but nothing of this will have changed

Life is contemptuous of knowledge; it forces it to sit in the anterooms, to wait outside. Passion, energy, lies: these are what life admires. Still, anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

The more clearly one sees this world, the more one is obliged to pretend it does not exist.

Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.

After a while, the second phase begins: the time of few choices. Uncertainties, strange fears of the past. Finally, of course, comes the third phase, the closing, and one must begin shutting out the world as if by panels because the strength to consider everything in all its shattering diversity is gone and the shape of life-but he will be in a poet's grave by then-finally appears, like a drop about to fall.

It's just that it's hard to believe in greatness...

whom we do not believe. Who we know does not exist.