James Salter Quotes

LIFE IS WEATHER. LIFE IS MEALS. Lunches on a blue checked cloth on which salt has spilled. The smell of tobacco. Brie, yellow apples, wood-handled knives.

Either that," he said, "or it comes true later. I'll tell you another story. There was a father who gave his son a shotgun. It was very small. It was a luparetta. So the son went to school, and he met another boy with a wrist watch. It was a beautiful wrist watch, he fell in love with it. He wanted it, so he traded; he gave his luparetta to the boy and he got the watch." "Is this a true story?" "Who knows? When the son came home that afternoon, his father said, 'Where's your luparetta — Dov'è la luparetta?' And the son said, 'I traded it.' 'You traded it!' 'Yes,' he said, 'I traded it for this watch.' 'Fantástico,' the father said, 'meraviglioso, you traded it for a watch. Now when someone calls your sister a whore, what are you going to do, tell them the time?

Mentre sedevano vicini o mangiavano o camminavano, lui condivideva liberamente con lei i suoi pensieri e le sue idee sulla vita, la storia, l'arte. Le parlava di ogni cosa. Sapeva che lei non si interessava a quegli argomenti, però capiva e col tempo avrebbe imparato. Lui non l'amava soltanto per quello che era, ma per quello che poteva essere, e l'idea che potesse essere diversa non gli passava per la testa, oppure non gliene importava. Perché avrebbe dovuto pensarci? Quando ami qualcuno vedi il futuro come lo sogni.

«Pero el conocimiento no te protege. La vida desprecia el conocimiento, lo obliga a esperar sentado en la antesala, a esperar fuera. Pasión, energía, mentiras: eso es lo que la vida admira. No obstante, todo es soportable si la humanidad entera observa. Lo demuestran los mártires. Vivimos dentro de la atención ajena. Nos volvemos hacia ella como flores hacia el sol.

No hay una vida completa. Hay sólo fragmentos. Hemos nacido para no tener nada, para que todo se nos pierda entre los dedos. Y, sin embargo, esta pérdida, este diluvio de encuentros, luchas, sueños... hay que ser irreflexivo, como una tortuga. Hay que ser resuelto, ciego. Pues cualquier cosa que hagamos, incluso que no hagamos, nos impide hacer la cosa opuesta. Los actos demuelen sus alternativas, he aquí la paradoja. La vida, por tanto, consiste en elecciones, cada cual definitiva y de poca trascendencia, como tirar piedras al mar. Hemos tenido hijos, pensó; nunca podremos no tener hijos. Hemos sido mesurados, jamás sabremos lo que es despilfarrar nuestra vida…»

The summer has ended. The garden withers. The mornings become chill. I am thirty, I am thirty-four -the years turn dry as leaves.'

The freedom she meant was self-conquest. It was not a natural state. It was meant only for those who would risk everything for it, who were aware that without it life is only appetites until the teeth are gone.

England? The worst of all. You know, I do some business there, I have friends in England. Their flats are broken into constantly. The police come, they look around, they dust for fingerprints. Well, we know who it is, they say. Wonderful, who? The same ones who did it last time, they say.

Dean is still asleep. His clothes are strewn about. The shutters are closed. He never dreams. He's like a dead musician, like a spent runner. He hasn't the strength to dream, or rather, his dreams take place while he is awake and they are marvelous for at least one quality: he has the power to prolong them.

One must have heroes, which is to say, one must create them. And they become real through our envy, our devotion. It is we who give them their majesty, their power, which we ourselves could never possess. And in turn, they give some back.

Miyata was fluent and intelligent. Nothing was beyond his curiosity. He seemed to be above the confusion of life, as if he had been commissioned to spend his own in undisturbed judgement of the world about him, protected always by a mandate from the gods. They spoke briefly of Korea and then of the past war with the United States. Miyata had been in Japan for its entire duration and must have been deeply affected, but when he talked about it, it was without bitterness. Wars were not of his doing. He considered them almost poetically, as if they were seasons, the cruel winters of man, even though almost all the work he had done in the 1930s and early 1940s had been lost when his house was burned in the great incendiary raid of 1944. He described the night vividly, the endless hours, the bombers thundering low over the storms of fire.

We live untruth amid evidence of untruth.

Suddenly I like him. Cristina can't take her eyes away. She asks when he was born, and it turns out he's a Sagittarius which is a very good sign.
'Really?'
'It's one of the best for me,' she says. 'Scorpio is the worst.

None of this is true. I've said Autun, but it could easily have been Auxerre. I'm sure you'll come to realize that. I am only putting down details which entered me, fragments that were able to part my flesh. It's a story of things that never existed although even the faintest doubt of that, the smallest possibility, plunges everything into darkness. I only want whoever reads this to be as resigned as I am. There's enough passion in the world already. Everything trembles with it. Not that I believe it shouldn't exist, no, no, but this is only a thin, reflecting sliver which somehow keeps catching the light.

In youth it feels one's concerns are everyone's. Later on it is clear that they are not. Finally they again become the same. We are all poor in the end. The lines have been spoken. The stage is empty and bare.

Before that, however, is the performance.

The curtain rises.

Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepared to recognize him. Meteoric, like a comet — those are the phrases we apply, and it's true, it is a kind of burning. It makes them highly visible, and at the same time it consumes them, and it's only afterwards, when the brilliance is gone, when their bones are lying alongside those of lesser men, that one can really judge. I mean, there are famous works, renowned in antiquity, and today absolutely forgotten: books, buildings, works of art.