Dean is still asleep. His clothes are strewn about. The shutters are closed. He never dreams. He's like a dead musician, like a spent runner. He hasn't the strength to dream, or rather, his dreams take place while he is awake and they are marvelous for at least one quality: he has the power to prolong them.
American novelist and short-story writer (1925–2015)
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He was reaching that age, he was at the edge of it, when the world becomes suddenly more beautiful, when it reveals itself in a special way, in every detail, roof and wall, in the leaves of trees fluttering faintly before the rain. The world was opening itself, as if to allow, now that life was shortening, one long, passionate look, and all that had been withheld would finally be given.
Afterwards he sat with the paper, the Sunday edition, immense and sleek, which had lain unopened in the hall. In it were articles, interviews, everything fresh, unimagined; it was like a great ship, its decks filled with passengers, a directory in which was entered everything that had made any difference to the city, the world. A great vessel sailing each day, he longed to be on it, to enter its salons, to stand near the rail.
Every object, even those which had been hers, which he never touched, seemed to share his loss. He was suddenly parted from his life. That presence, loving or not, which fills the emptiness of rooms, mildens them, makes them light — that presence was gone. The simple greed that makes one cling to a woman left him suddenly desperate, stunned. A fatal space had opened, like that between a liner and the dock which is suddenly too wide to leap; everything is still present, visible, but it cannot be regained.