En el mundo había gente tan parecida entre sí que se los podría tomar por padres e hijos. Pero difícilmente existieran muchos en el mundo. Tal vez hubiera un solo hombre que pudiera corresponderse con una muchacha y una sola joven que combinara con un hombre. Solo uno para algún otro; y tal vez en todo el mundo una sola pareja posible. Viven como extraños, sin suponer ningún tipo de lazo entre ellos y hasta ignorantes de la existencia del otro.
Por casualidad suben a un mismo tren, se reúnen por primera vez y probablemente nunca vuelvan a encontrarse. Treinta minutos en el curso de toda una vida. Se separan sin decirse una palabra. Habiendo estado sentados uno al lado del otro, sin mirarse, sin darse cuenta del parecido, se alejan siendo parte de un milagro del que no tomaron conciencia.
Y el único admirado por la rareza de todo eso es un extraño que se pregunta si, al ser un accidental testigo, no estará participando de un milagro.
Japanese novelist (1899–1972)
Yasunari Kawabata [川端 康成 Kawabata Yasunari] (14 June 1899 – 16 April 1972) was a Japanese short story writer and novelist known for his spare, lyrical, and subtly-shaded prose. In 1968 he became the first Japanese writer to receive the Nobel Prize for Literature.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
川端 康成
Alternative Names:
Kawabata Yasunari
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KAWABATA Yasunari
From Wikidata (CC0)
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The Zen disciple sits for long hours silent and motionless, with his eyes closed. Presently he enters a state of impassivity, free from all ideas and all thoughts. He departs from the self and enters the realm of nothingness. This is not the nothingness or the emptiness of the West. It is rather the reverse, a universe of the spirit in which everything communicates freely with everything, transcending bounds, limitless. There are of course masters of Zen, and the disciple is brought toward enlightenment by exchanging questions and answers with his master, and he studies the scriptures. The disciple must, however, always be lord of his own thoughts, and must attain enlightenment through his own efforts. And the emphasis is less upon reason and argument than upon intuition, immediate feeling. Enlightenment comes not from teaching but through the eye awakened inwardly. Truth is in "the discarding of words", it lies "outside words". And so we have the extreme of "silence like thunder", in the Vimalakirti Nirdesa Sutra.