Louise Erdrich Quotes

(A journalist once asked you what advice you would give someone trying to write a novel. You said, “Don’t take the project too seriously.” Is that what you would say today?) LE: I think I meant that grand ideas kill first efforts. Begin with something in your range. Then write it as a secret. I’d be paralyzed if I thought I had to write a great novel, and no matter how good I think a book is on one day, I know now that a time will come when I will look upon it as a failure. The gratification has to come from the effort itself. I try not to look back. I approach the work as though, in truth, I’m nothing and the words are everything. Then I write to save my life. If you are a writer, that will be true. Writing has saved my life...I needed a way to go at life. I needed meaning. I might have chosen something more self-destructive had I not found writing.

Only when you are secure enough not to fear immediate survival can you display creative intelligence in anything you do.

What are you?' he [Nanapush] said to Damien, who was deep in a meditation over his [chess] bishop's trajectory.
'A priest' said Father Damien
'A man priest or a woman priest?'...
...'I am a priest', she whispered, hoarsely, fierce. 'Why' said Nanapush kindly, as though Father Damien hadn't answered, to put the question to rest, 'are you pretending to be a man priest?

Ever since I understood this life was to be mine, I have wanted only for it to continue in its precious routine.

We are never so poor that we cannot bless another human being, are we? So it is that every evil, whether moral or material, results in good. You'll see.

Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about — love. But they allowed me this one clear look at it. It blazed from them. And then they left.

The contents of a house can trigger all sorts of revisions to family history.

I was not prepared to think of the people I had lost, or to speak of them, although we did, carefully, without letting their names loose in the wind that would reach their ears. We feared that they would hear us and never rest, come back out of pity for the loneliness we felt.

All of our actions have in their doing the seed of their undoing. (p59)

I love statistics because they place what happens to a scrap of humanity, like me, on a worldwide scale.

...comfort is not security and money in the hand disappears. He could have told her that only the land matters and never to let go of the papers, the titles, the tracks of the words, all those things that his ancestors never understood how the vital relationship to the dirt and grass under their feet. (p171)

Watching him closely after he paid for the books and took the package into his hands, I saw his pupils dilate the way a diner's do when food is brought to the table.

All of our actions have in their doing the seed of their undoing. ... That in her creation of her children there should be the unspeakable promise of their death, for by their birth she had created mortal beings.

And how funny, strange, that a thing can grow so powerful even when planted in the wrong place. Ideas too, I muttered. Ideas.

For it was through books that she felt her life to be unjudged Look at all of the great mix-ups, messes, confinement, and double-dealings in Shakespeare, she thought.Identities disguised continually, in a combative dance of illusion and discovery.