James Salter Quotes

That night she heard the branches tapping against the house and the window frames rattle. She sat alone and thought of the geese, she could hear them out there. It had gotten cold. The wind was blowing their feathers. They lived a long time, ten or fifteen years, they said. The one they had seen on the lawn might still be alive, settled back into the fields with the others, in from the ocean where they went to be safe, the survivors of bloody ambushes. Somewhere in the wet grass, she imagined, lay one of them, dark sodden breast, graceful neck still extended, great wings striving to beat, bloody sounds coming from the holes in its beak. She went around and turned on the lights. The rain was coming down, the sea was crashing, a comrade lay dead in the whirling darkness.

He nestles himself flat in the meeting of her buttocks. An excruciating douche.

He was reaching that age, he was at the edge of it, when the world becomes suddenly more beautiful, when it reveals itself in a special way, in every detail, roof and wall, in the leaves of trees fluttering faintly before the rain. The world was opening itself, as if to allow, now that life was shortening, one long, passionate look, and all that had been withheld would finally be given.

What the joys of music were to others, words on a page were to him.

France is herself Only in the winter, her naked self, without manners. In the fine weather, all the world can love her.

The courage to live when the best days were past.

anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

His mother is dead. She was a suicide. Her marriage was terrifying to her. In the center of it she found herself completely alone. During the last year she sent long telegrams to her sister, sometimes quoting poetry, Swinburne, Blake. One day she burned her diaries, a spring day, and walked into the Connecticut River to drown, just like Virginia Woolf or Madame Magritte. She was buried in Boston, her home. I could see the ceremony. Dean is six years old and his sister three. They stand stunned and obedient as the great, glistening coffin is lowered into the ground. Within lies the drowned woman who had given them life and who now gives an example of melancholy and commitment which will stay with them forever. Clods of earth thunder onto the hollow lid and, half-orphan, bearer of his mother's death which is not yet even real, he begins his life. Much of it you know, at any rate college, the wanderings. Now, at twenty-four, he has come to the time of choice. I know quite well how all that is. And then, I read his letters. His father writes to him in the most beautiful, educated hand, the born hand of a copyist. Admonitions to confront life, to think a little more seriously about this or that. I could have laughed. Words that meant nothing to him. He has already set out on a dazzling voyage which is more like an illness, becoming ever more distant, more legendary. His life will be filled with those daring impulses which cause him to disappear and next be heard of in Dublin, in Veracruz… I am not telling the truth about Dean, I am inventing him. I am creating him out of my own inadequacies, you must always remember that.

You think when you have love that love is easy to find, that everyone has it. It's not true. It's very hard to find.

As Rilke says, there are no classes for beginners in life, the most difficult thing is always asked of one right away.

Great lovers lie in hell, the poet says. Even now, long afterwards, I cannot destroy the images. They remain within me like the yearnings of an addict. I need only hear certain words, see certain gestures, and my thoughts begin to tumble. I despise myself for thinking of her. Even if she were dead, I would feel the same. Her existence blackens my life.

Either that," he said, "or it comes true later. I'll tell you another story. There was a father who gave his son a shotgun. It was very small. It was a luparetta. So the son went to school, and he met another boy with a wrist watch. It was a beautiful wrist watch, he fell in love with it. He wanted it, so he traded; he gave his luparetta to the boy and he got the watch." "Is this a true story?" "Who knows? When the son came home that afternoon, his father said, 'Where's your luparetta — Dov'è la luparetta?' And the son said, 'I traded it.' 'You traded it!' 'Yes,' he said, 'I traded it for this watch.' 'Fantástico,' the father said, 'meraviglioso, you traded it for a watch. Now when someone calls your sister a whore, what are you going to do, tell them the time?

It's just that it's hard to believe in greatness...

incandescent afternoons in Spain, the shutters closed, a blade of sun burning into the darkness.

Events need their invitation, dissolutions their start.