Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepar… - James Salter

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Strauss's, for instance, which begins in the heavens. The artist doesn't ascend to glory, he appears in it, he already has it and the world is prepared to recognize him. Meteoric, like a comet — those are the phrases we apply, and it's true, it is a kind of burning. It makes them highly visible, and at the same time it consumes them, and it's only afterwards, when the brilliance is gone, when their bones are lying alongside those of lesser men, that one can really judge. I mean, there are famous works, renowned in antiquity, and today absolutely forgotten: books, buildings, works of art.