"But what could be the purpose of the unseasonable toil, which was again resumed, as the watchman knew by the lines of lamp-light through the crevice… - Nathaniel Hawthorne

"But what could be the purpose of the unseasonable toil, which was again resumed, as the watchman knew by the lines of lamp-light through the crevices of Owen Warland's shutters? The townspeople had one comprehensive explanation of all these singularities. Owen Warland had gone mad! How universally efficacious — how satisfactory, too, and soothing to the injured sensibility of narrowness and dullness — is this easy method of accounting for whatever lies beyond the world's most ordinary scope!

- "The Artist of the Beautiful

English
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About Nathaniel Hawthorne

Nathaniel Hawthorne (4 July 1804 – 19 May 1864) was an American writer remembered for his romance novels (The Scarlet Letter, The House of the Seven Gables, The Blithedale Romance, and The Marble Faun) and short stories.

Biography information from Wikiquote

Also Known As

Pen Names: Monsieur de l’Aubépine
Birth Name: Nathaniel Hathorne
Alternative Names: Monsieur de l'Aubépine N. H.
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Additional quotes by Nathaniel Hawthorne

"Oh, glorious Art!" thus mused the enthusiastic painter, as he trod the street. "Thou art the image of the Creator's own. The innumerable forms that wander in nothingness start into being at thy beck. The dead live again. Thou recallest them to their old scenes, and givest their gray shadows the lustre of a better life, at once earthly and immortal. Thou snatchest back the fleeing moments of History. With thee, there is no Past; for at thy touch, all that is great becomes forever present; and illustrious men live through long ages in the visible performance of the very deeds which made them what they are."

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It is a curious subject of observation and inquiry, whether hatred and love be not the same thing at bottom. Each, in its utmost development, supposes a high degree of intimacy and heart-knowledge; each renders one individual dependent for the food of his affections and spiritual life upon another; each leaves the passionate lover, or the no less passionate hater, forlorn and desolate by the withdrawal of his object.

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