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" "“I am and am not a Jew." That is the opening sentence of The Nakedness of the Fathers. I love that sentence. I think it grabs people, and it should. I want my readers to feel the kick of contradiction, the torsion of tension. Not only in myself but in themselves. Contradiction and tension are part of life. Where would poetry be without tension? There is tension even in the music, the rhythms of poetry, between the pull of traditional meter and the urge toward open form. And what's wrong with contradiction? You don't hear Whitman saying he wants to resolve his contradictions. Not at all. "Do I contradict myself? Very well then, I contradict myself. I am large, I contain multitudes." Life is like that. Face it. Denial is death.
Alicia Suskin Ostriker (born November 11, 1937) is an poet and scholar who is Jewish and lives in the USA.
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My writing is always a gamble. I take the risk of going deep into myself, trusting that if I can go deeply enough, and translate the complex of feelings within myself into articulate language, it will be meaningful to others. We are all islands, but connected—so to speak—on the ocean floor, where human experience is very much shared in common.
I don't think of poetry as therapy for the poet. Poetry can be therapeutic for its readers, by articulating for them what they cannot say for themselves, and enabling them to understand their experience as belonging to a larger pattern. But not for the poet. Spilling one's guts isn't what it's about, either. Finding the truth that lies beneath or behind the truth you already know, finding a form for it, creating a piece of beauty-that is the poet's task. You might say that poetry is diagnostic, rather than therapeutic. Poetry is a diagram of reality. A distillation of reality, that may make us free. You might also notice that there is a fair amount of joking in those poems. I think it is important to leaven tragedy with levity. That's something I learned from Allen Ginsberg.