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" "The relational model provides different categories, different underlying structures into which experience can be organized. Here the establishment of strong connections to others, in reality or in fantasy, is presumed to be primary. Forms of relationship are seen as fundamental, and life is understood largely as an array of metaphors for expressing and playing out relational patterns: discovery, penetration, domination, surrender, control, longing, evasion, revelation, envelopment, merger, differentiation, and so on. The body is still centrally important. Sexuality and bodily experiences are viewed as particularly apt arenas for this activity, since sexuality is enormously multiform and plastic. The number of different body parts, the variability of interactions, the poignancy of the sensations, the immense number of combinations — the almost infinite variety of human sexual possibilities make this an enormously fertile reservoir of metaphors for expressing different types of relationships, different configurations of connections, between self and others.
Stephen A. Mitchell (July 23, 1946 – December 21, 2000) was a clinical psychologist and psychoanalyst whose writings helped to clarify many disparate psychoanalytic theories and theoreticians.
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One of the most profound and universal realizations of later childhood, a realization that probably is never totally integrated, is the discovery that one's parents are not necessarily representative of the human species, that one has grown up in an idiosyncratically structured family with its own peculiarities and dramas.
Sexual dysfunction often plays a key role in risk management by couples over time. It seems crucial not to get too excited about the other, and diminished excitement serves the purposes at once of self-protection and revenge. I was once excited about you, the diminished arousal seems to be expressing, but there is not much to get excited about now. Often lovers work together to pretend they are safer (even if also a bit sadder) over time, by collapsing their expectations of each other in collusively arranged, choreographed routine. Each feels the other is less exciting because of being so familiar and predictable. And each acts towards the other in as wholly and artificially predictable a fashion as possible. But, of course, lowering expectations also empties out passion. No risk, no gain.
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