My spirits.. ..now lean towards sadness and melancholy. I too am beginning to feel my age. Then, as one moves on in life sorrows multiply, and necess… - Jean-Baptiste Camille Corot

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My spirits.. ..now lean towards sadness and melancholy. I too am beginning to feel my age. Then, as one moves on in life sorrows multiply, and necessarily it is harder to keep cheerful.. .[I experienced] violent disappointments, that I might even call grief.

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About Jean-Baptiste Camille Corot

Jean-Baptiste-Camille Corot (16 July 1796 – 22 February 1875) was a French landscape and portrait painter as well as a printmaker in etching and famous art teacher in Paris. Corot was a leading figure in the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism

Also Known As

Alternative Names: Jean-Baptiste-Camille Corot Jean-Baptiste Corot Camille Jean-Baptiste Corot Camille Jean Baptiste Corot Kamilʹ Koro Camille-Jean-Baptiste Corot Kamill Korot Kamill Koro J.-B. Camille Corot Keluo Jean Baptiste Camille Corot Camille Corot Pére Corot Corot Pere Corot Jean-Baptiste C. Corot C. Corot camille-j.-b. corot Jean B. C. Corot J.B. Camille Corot J. B. Camille Corot jbc corot j. b. c. corot J.B.C. Corot B. C. Corot jean baptiste corot i. b. c. corot Jean Bapt. Corot J.-B. Corot c. corot j. t. P. corot J. B. C. Corot corot jean baptiste camille Jean Baptiste C. Corot jean baptist corot jean bapt. camille corot Jean B. Cam. Corot Jean Bapt. Camille Corot j. b. camille corot jean-bapt. camille corot j. b. corot j.b. corot camille corot corot camilie-jean-baptiste j.b.c. corot Jean Bapt. C. Corot jean baptist camille corot corot j.b.c. b. camille corot jean camille corot corot j. b. c.
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Additional quotes by Jean-Baptiste Camille Corot

I have learned from experience that it is useful to begin by drawing one's picture clearly on a virgin canvas, first having noted the desired effect on a white or gray paper, and then to do the picture section by section, as immediately finished as one can, so that when it has all been covered there is very little to retouch. I have noticed that whatever is finished at one sitting is fresher, better drawn, and profits more from many lucky accidents, while when one retouches this initial harmonious glow is lost. I think that this method is particularly good for foliage, which needs a good deal of freedom.

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If my time has come I shall have nothing to complain of. For fifty-tree years I have been painting; so I have been able to devote myself entirely to what I loved best in the world. I had never suffered poverty; I had good parents and excellent friends; I can only thank God.

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