Kehidupan hanyalah ilusi yang harus kau lepaskan. Ketika makin tua, kau menyadari perubahan posisimu sehubungan dengan kematian. Di masa muda topik k… - Amy Tan

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Kehidupan hanyalah ilusi yang harus kau lepaskan. Ketika makin tua, kau menyadari perubahan posisimu sehubungan dengan kematian. Di masa muda topik kematian adalah filosofis, di usia tiga puluhan topik itu tidak bisa diterima, dan di usia empat puluhan topik itu tidak terhindarkan. Di usia lima puluhan, kau menghadapinya dengan cara-cara yang lebih rasional : mengatur surat wasiat, menghitung aset dan harta warisan, menjelaskan donasi organ tubuhmu, merinci kata-kata yang tepat untuk surat wasiat. Kini di usia enam puluhan, kau kembali jadi filosofis.

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About Amy Tan

Amy Ruth Tan (譚恩美 Tán Ēnměi) (born 19 February 1952) is a Chinese-American writer and member of the Rock Bottom Remainders, most famous for her novel The Joy Luck Club.

Biography information from Wikiquote

Also Known As

Alternative Names: Amy Ruth Tan

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I've long thought about how life is influenced by death, how it influences what you believe in and what you look for. Yes, I think I was pushed in a way to write this book by certain spirits — the yin people — in my life. They've always been there, I wouldn't say to help, but to kick me in the ass to write. ...Yin people is the term Kwan uses, because "ghosts" is politically incorrect. People have such terrible assumptions about ghosts — you know, phantoms that haunt you, that make you scared, that turn the house upside down. Yin people are not in our living presence but are around, and kind of guide you to insights. Like in Las Vegas when the bells go off, telling you you've hit the jackpot. Yin people ring the bells, saying, "Pay attention." And you say, "Oh, I see now." Yet I'm a fairly skeptical person. I'm educated, I'm reasonably sane, and I know that this subject is fodder for ridicule. ... To write the book, I had to put that aside. As with any book. I go through the anxiety, "What will people think of me for writing something like this?" But ultimately, I have to write what I have to write about, including the question of life continuing beyond our ordinary senses.

I taught her how American circumstances work. If you are born poor here, it’s no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you.

She learned these things, but I couldn’t teach her about Chinese character. How to obey your parents and listen to your mother’s mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best.

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I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind.
-Lindo

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