(...) Paradoxically, the silent cinema inaugurates the act of saying, and the audio cinema the act of silencing. Saying does not need words, but sile… - Julio Cabrera

Mal-Estar e Moralidade: Situação Humana, Ética e Procriação Responsável, (2018), pp. 350-351 <small></small>

We undoubtedly would not morally justify the behavior of someone who sent a colleague to a dangerous situation by saying: "I sent him there because I know he is strong and he will manage well". The "strengths" of the newborn do not relieve in anything the moral responsibility of the procreator. Anyone would answer: "This is irrelevant. Your role in the matter consisted of sending people to a situation you know was difficult and painful and you could avoid it. Your predictions about their reacting manners do not decrease in anything your responsibility". In the case of procreation, the reasoning could be the same, and in a notorious emphatic way, since in any intra-worldly situation with already existing people in which we send someone to a position known as painful, the other one could always run away from pain to the extent his being is already in the world and he could predict danger and try to avoid being exposed to a disregarding and manipulative maneuver. In the case of the one who is being born, by contrast, this is not possible at all because it is precisely his very being that is being manufactured and used. Concerning birth, therefore, manipulation seems to be total.

A "quiet" movie in which "nothing happens", where people are shown looking through the windows, walking the streets, living in completely banal situations, or simply looking at each other without saying anything, does not satisfy the spectator eager for novelty ( ...) this type of spectator usually says, after watching an ontological film, that he did not like it because in it "nothing happens": precisely the kind of attitude that Heidegger intends to provoke in his writings, making the absence of pressing entities put us in touch with the being.