They are not like the – patron’s hands or the – blessing hands of the curate – They resemble their tools, mountains, tree trunks.. .The time is appro… - Fernand Léger

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They are not like the – patron’s hands or the – blessing hands of the curate – They resemble their tools, mountains, tree trunks.. .The time is approaching when machines will – work FOR them – Then he will have hands like his boss – WHY NOT? – He's on the way – HIS LIFE begins TODAY [written text in his painting 'Les mains – hommage a Majakovski', 1951 - [ Vladimir Mayakovsky was a Russian Futurist poet].

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About Fernand Léger

Joseph Fernand Henri Léger (February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. He started his art in early cubism and developed a style in which the human figure in relation to the modern times was his central aim to represent. He and his art was engaged with communism and with the worker's life.

Also Known As

Pen Names: Lezhe, Fernan
Alternative Names: Fernand Leger Fernan Lezeh Fernan Lez'eh Fernan Lezhe Ferunan Reje F. Leger Leger fernand leger Fernad Léger Léger

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Additional quotes by Fernand Léger

I myself have employed the close-up, which is the cinema's only real invention. The fragment of the object has also been of use to me; by isolating it you personalize it. All this work has led me to regard the phenomenon of objectivity as a new and highly contemporary value in itself [quote of c. 1927].

It is an outrage towards the masses.. ..It's wanting to treat them as though they're incapable of raising themselves up to this new realism [promoted by Léger and Le Corbusier ] which is that of their area, which they've made with their hands.. .To want to say to these men 'the modern is not for you it's an art for the rich bourgeoisie..' [attack on the notion of Social Realism art]

I was attracted to Romanesque sculptures, to the complete re-invented figures and the freedom with which the Romanesque artist constructed them. He does not copy, he creates in a totally anti-Renaissance fashion can say that in Romanesque sculpture I have found a starting point for distortion.

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