When an actress takes off her clothes onscreen but a nursing mother is told to leave, what message do we send about the roles of women? In some ways … - Anna Quindlen

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When an actress takes off her clothes onscreen but a nursing mother is told to leave, what message do we send about the roles of women? In some ways we’re as committed to the old madonna-whore dichotomy as ever. And the Madonna stays home, feeding the baby behind the blinds, a vestige of those days when for a lady to venture out was a flagrant act of public exposure.

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About Anna Quindlen

Anna Quindlen (born July 8, 1952) is an American journalist and opinion columnist whose New York Times column, Public and Private, won the Pulitzer Prize for Commentary in 1992.

Also Known As

Alternative Names: Anna Marie Quindlen

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How many times in the past three months have I been reminded of Ruby's two selves, the careful courteous young woman who spoke so sweetly to strangers and the person she let loose at home, where she was safe, where she could be spiky and harsh and uncertain and at sea? I have two selves now, too, the one that goes out in the world and says what sound like the right things and nods and listens and sometimes even smiles, and the real woman, who watches her in wonder, who is nothing but a wound, a wound that will not stop throbbing except when it is anesthetized. I know what the world wants: It wants me to heal. But to heal I would have to forget, and if I forget my family truly dies.

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Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."

[Commencement Speech; Mount Holyoke College, May 23, 1999]

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