It is my sincere hope that Dark Matter will help shed light on the sf genre, that it will correct the misperception that black writers are recent to … - Sheree Thomas

Dark matter as a metaphor offers us an interesting way of examining blacks and science fiction. The metaphor can be applied to a discussion of the individual writers as black artists in society and how that identity affects their work. It can also be applied to a discussion of their influence and impact on the sf genre in general. While the "black sf as dark matter" metaphor is novel, the concept behind it is not. The metaphor is neither farfetched nor uncommon if one considers popular themes within the black literary tradition. An excellent example is Ralph Ellison's Invisible Man (1945), a novel that introduced the idea of black invisibility.

What still needs to be accomplished can be summed up by the lovely album released on my birthday last year by Solange—A Seat at the Table. How much significant, systemic progress and change can be made if you still don’t have a seat at the table? Walter Mosley was organizing around this question in the early 90s via PEN’s Open Book Committee, which I believe he founded, to help bring more people of color into the publishing industry. Why is that vital? Because different people at the table ask different questions, seek different voices, and have a different relationship to all the things we are told are “universal.” Intersectionality matters. Consider what work we wouldn’t get to read if other talented people didn’t get a seat at the table, a chance to guest edit, an opportunity to curate, to be a juror, to host, promote, celebrate, read and review, be reviewed, speak …

I like to write about ordinary folks in extraordinary circumstances.