Nalo Hopkinson Quotes

There is so much vibrant work coming out, and more and more of it beginning to come out from, and depicting, a broader range of humanity. (2017)

(Are you consciously taking a new look at the future?) NH: No. I'm drawing pretty heavily on the science fiction and fantasy I read growing up. I also come out of a very strong Caribbean literary tradition. In that sense I'm kind of marrying the two, but not in a way of "trying to go out there and do something new." I'm like any other writer. There are a handful of us, if we're talking about solely Caribbean writers -- there's Claude Michel Prevost…Tobias Buckell. I've found that science fiction reviewers tend to react most strongly to the Caribbean-flavored stuff, and some of them identify that as being new and over-focus on it. I'm starting to feel I might be getting typecast. (with Indiebound)

why have things shifted a little? I think that at root it's the vocal, persistent activism of the ones most affected; the people who need positive change. (2021)

Sexuality gets binarized too often. Not only do I resist the idea of one form of sexuality, but the assumption that there are only two forms, and you do one, the other, or both, and those are the only possible behaviors. It sometimes seems to me-and perhaps whimsically so-that the people who are courageously non-normative in their sexualities are doing in the real world some of the work that speculative fiction can do in the world of the imagination, that is, exploring a wider range of possibilities for living.

It’s the beautiful thing about being a fiction writer; you can write the world you want to see.

I'd like to see support right through the various forms, the various artistic disciplines for artists of color who are interested in futuristic and fantastical visions. I'd like to see us really start to make them welcome because they bring a different vision. We bring a different vision and that will change the genre, and the genre is about change.

When I hear a (usually white and usually male) writer trying to shut down a discussion about representation by bellowing that no one should tell him what to write, it sounds very much as though he's trying to change the topic, to make it all about him. To him I'd say: Why not try to further the discussion, rather than trying to, um, censor it? What do you think needs to be done in order to make publishing more representative? Nothing, you say? The doors are already open but we just won't come in? Women, Black people (and purple polka-dotted meerkats) actually "just don't write much science fiction"? Or their books are "only relevant to their communities" (which is often code for "those people are incapable of producing anything of real literary merit")? Funny, how every one of those statements boils down to not being willing to change the status quo. You do realize that you're even drowning out the white voices amongst you that are trying to make some changes along with the rest of us? You do realize that a more representative literary field would be representative of all of us, yourself included?

…There’s still this notion that you are somehow morally superior if you don’t know anything about the background of the writers you read, and I maintain that writers have every right to not talk their backgrounds, that’s fine, but when people do and it’s important to their work, to not know doesn’t mean you’re morally superior, it means you are indifferent…

It was time to be honest with myself. To survive all the shame this world will throw at you, you have to hold yourself tall, look your accuser straight in the eye. Even if it’s your own face looking back at you.

Science fiction as a literature probably helped to save my life. I suspect I would have self-destructed without it, and without the people I have met because of it. So even when I'm critical of it, I'm very happy that it's here.

It is ugly in this world, and when the killing starts, the same stick will beat the black dog and the white.

Children," I said to her. "For the first little while, they not exactly human, you don't find?

I think inserting yourself into a place where you are told you don't belong, when you know quite well you do, is important work. (2017)

I like imagining that Lovecraft is spinning in his grave as he's forced to view the world through the eyes of his statuettes placed in the homes and offices of the likes of Nnedimma Okorafor, Kinuko Y. Craft, S. P. Somtow, Haruki Murakami, Neil Gaiman, and me.

The metaphors we use in the west come from Greek and European mythology. Aishu in West African religious mythology is the deity I use in Midnight Robber. Aishu said: "I would like to go everywhere and see everything." a perfect metaphor for artificial intelligence. Black people have a rich spiritual heritage, as well as a rich imaginative life-stories handed down over centuries-that inform our ideas of the future. They need to be on the table like everybody else's.