Joanna Russ Quotes

there is no God in any of my stories or in my beliefs. In fact, if there's one thread running throughout my fiction it's precisely the lack of that kind of authority. My books, I would say, are designed to undermine that notion, to force readers to question the authorities governing their lives, be they literary, sexual, political, religious, whatever. Cosmic awe isn't religion. I'm an atheist, and I loathe having religion imported into my work. If you believe in religion, do it, but don't assume or insist that I do.

Remember, I don’t threaten. I don’t play. I always carry firearms. The truly violent are never without them.

Perhaps it’s because I was brought up with no religion at all that I detest the science-fiction tropism towards re-writing Christianity from what one might call the village-atheist point of view. Although (Robert Sheckley's) “Budget Planet” and Fritz Leiber’s “One Station on the Way” are colorful and active enough, there seems to me to be no point in flogging dead fundamentalist doctrines so late in the day.

My mother's country: the body and garden of the Great Goddess, fair, ornamental, tended; I can wander forever in Her lap under the sun of Her face, in a cultivated place like the Botanical Gardens of my childhood where everything is suffused with the divine personality, regal, wide, and lovely. Everything's here-pineapples from Java, Norway pine, greenhouses like tropical igloos, the long wide lawns, camomile meadows veiled with hair, lawns that look like-and are-the dancing-grounds of angels.
The fatherland is another place.

The abortion question is illustrative of this. Women say, 'We want the right to own our own bodies.' And the opposition, the Moral Majority, say things like, 'When does life begin?' That's not the point. I don't give a damn when it begins. I don't give a damn what the real differences between men and women are. I just don't want to be stepped on when I walk out into the street. I don't want to have to go out at night in terror. I don't want you to tell me that you won't give me a decent job. I don't want to have a low salary. I don't want to be maltreated.

Fucking, if you will forgive the pun, is an anti-climax.

Whether tentative or conclusively pessimistic, the invented, all-female worlds, with their consequent lesbianism, have another function: that of expressing the joys of female bonding, which-like freedom and access to the public world-are in short supply for many women in the real world. Sexually, this amounts to the insistence that women are erotic integers and not fractions waiting for completion. Female sexuality is seen as native and initiatory, not (as in our traditionally sexist view) reactive, passive, or potential. ("Recent Feminist Utopias")

Writing isn't talking. God damn it. Look, James, this isn't going to be an easy letter. I'm going to finish it, put it in the Net, turn my signal off, and go to bed. I'll be asleep by the time you get up, so don't call if you decide to answer your red light or just go looking for something intelligible to read or know about (little enough here for either of us). I keep thinking of the impulses in the Net as sparks flying underground or undersea or bouncing off satellites; of course it's faster than that. It's already morning in Hawaii and this will get to you almost instantaneously when I depress the Transmit key. Which is a little daunting, the irreversibility. (beginning of "Bodies")

I'll never understand the kind of writer who genuinely advances the proposition that life is a dream or a fiction. To me that's the voice of privilege, whether it's money, class, sex, color, or what have you. Most of us can't find refuge in anything so false.

Staying in charge of feminism is personally comfortable and personally gratifying for White women and may avoid the struggles and problems talked about his chapter (as well as some others), but if we do, we will lose. Not only we lose allies and our moral decency-no small matter for a radical movement whose position is founded not on armies but on its claims to justice-we will lose something of even greater importance: the ability to understand the interconnections between different kinds of oppression. That is, we will lose any possibility of developing an accurate map of the world. And if we don't have that, we will fail, even in getting anything for ourselves. ("THERE IS A VILLAGE / OVER / THAT HILL", p311)

For women, there's simply no easy way of finding some kind of fulfillment. The whole idea of going from your own world to an alien world makes sense only if you're not an alien in your own world. It's very hard to feel at home here when you're not. So women either don't go into space-you're either there or here but without much traveling in between-or you came from there and now you're here, but what the hell are you doing here?

Women traditionally do an enormous amount of interpersonal work, but there's no public vocabulary for this sort of activity-just as there's no public vocabulary for what mothers do raising children, or what housewives do. Anne Wilson Schaef has pointed out that there is this public male reality and anything that isn't in it is either crazy or trivial or nonexistent. There's no consensual way of talking about what makes up the daily lives of most women, so it's not surprising that women have been exploring telepathy, ESP, magic, and alternative forms of communication. Marion Zimmer Bradley does, Le Guin does, I do, even Suzy Charnas-really, just about every contemporary woman SF author I can think of has worked in these areas.

after having had contact with students for so many years, I think it's a lot harder to change somebody's life than people think. People will say they've been changed, but what they really mean is they read something which crystallized an awful lot of things they were already feeling. I don't think books really change people's minds very often; I think that's awfully rare.

One of the most exciting things about working in SF for me, a woman, is that SF is so open-ended-it's perfectly possible to imagine a world where sexism doesn't exist, or in which women can be presented in the context of new myths that women can admire or learn from.

One thing I have tried to do when I write...was take the sex in my stories and simply make it part of the whole fabric. It’s not special, it’s not sacred, it’s not demonic, it just happens. It’s as much an ordinary part of life as heating your dinner up, or something, and I always worked very hard to get that over.