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" "most of the women in my generation who were doing groundbreaking work usually felt the need to find a way to distance a lot of personal, controversial issues. And while some awareness on some questions has gone up among the general public, so that it may be possible to say things out loud now that in 1965 or 1970 were certainly very tough to say out loud, in many ways they're getting tough to say again. Back in the early '70s, I shocked myself in writing parts of The Female Man. It scared the dickens out of me. I doubt that women are ever going to feel comfortable being direct, at least not until our society's undergone some changes of its own. When women try to speak totally directly, we lack the social forms or the cultural images or the permission to do so. These things just aren't in our vocabulary yet, so we still have to get at things in a roundabout manner.
Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism and is best known for The Female Man, a novel combining utopian fiction and satire.
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I've never lost the feeling of transcendental beauty and awe that attached itself to the physical world. Lucretius has a line in De Rerum Naturae that says something about how everything in nature fits together and gives a joy beyond expression. It's a feeling people have surely always had about the way the seasons or planets change, the way plants grow, a sense of joy or awe about what's around us.
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Alyx, the gray-eyed, the silent woman. Wit, arm, kill-quick for hire, she watched the strange man thread his way through the tables and the smoke toward her. This was in Ourdh, where all things are possible. He stopped at the table where she sat alone and with a certain indefinable gallantry, not pleasant but perhaps its exact opposite, he said:
"A woman-here?"
"You're looking at one," said Alyx dryly, for she did not like his tone...