Real artists, it seems to me, are those who don't repeat themselves" - Joanna Russ

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Real artists, it seems to me, are those who don't repeat themselves"

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About Joanna Russ

Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism and is best known for The Female Man, a novel combining utopian fiction and satire.

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Staying in charge of feminism is personally comfortable and personally gratifying for White women and may avoid the struggles and problems talked about his chapter (as well as some others), but if we do, we will lose. Not only we lose allies and our moral decency-no small matter for a radical movement whose position is founded not on armies but on its claims to justice-we will lose something of even greater importance: the ability to understand the interconnections between different kinds of oppression. That is, we will lose any possibility of developing an accurate map of the world. And if we don't have that, we will fail, even in getting anything for ourselves. ("THERE IS A VILLAGE / OVER / THAT HILL", p311)

Writing isn't talking. God damn it. Look, James, this isn't going to be an easy letter. I'm going to finish it, put it in the Net, turn my signal off, and go to bed. I'll be asleep by the time you get up, so don't call if you decide to answer your red light or just go looking for something intelligible to read or know about (little enough here for either of us). I keep thinking of the impulses in the Net as sparks flying underground or undersea or bouncing off satellites; of course it's faster than that. It's already morning in Hawaii and this will get to you almost instantaneously when I depress the Transmit key. Which is a little daunting, the irreversibility. (beginning of "Bodies")

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the whole Robinson-Crusoe-and-the-desert-island business is, at bottom, an imperialist myth: you find a place "out there" and you make it yours, whether the people who already live there want you to or not. This goes on in SF all the time--you can see it in Marion Zimmer Bradley's Darkover series, for instance. I'm not interested in that notion. It's been obvious for at least twenty or thirty years now-certainly since the '60s to us white folks-that it's simply not a good attitude for people to take. And, of course, if you were really put in that situation, I'd think you'd do amazingly well just to stay alive.

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