There is so much vibrant work coming out, and more and more of it beginning to come out from, and depicting, a broader range of humanity. (2017) - Nalo Hopkinson

She curled up on the pallet and stared into the dark, praying for a peaceful sleep.
Prayers didn’t do no good, oui. Antonio chased her all night. (In the book Antonio, her father, beats and sexually abuses her long-term; she eventually kills him)

Every so often I come up with a different definition of what science fiction and fantasy do, and I'm always looking for one that describes what they both do, rather than separating them. Currently I'm saying that one of the things they do is look at the effects of large-scale social change on both populations and individuals. Fantasy tends to look to the past, and science fiction to the future, but what is common to many of the stories is change: huge societal upheaval.

Folktales are great for learning dynamic storytelling and how to structure the resonant echoes that give a plot forward motion. It wouldn't be the last time that I modeled a plot upon the shell of a preexisting folktale. I've discovered that it doesn't matter whether your readers recognize the folktale. It may not even matter whether the folktale is real, or one you invented. What matters is that it has structure, echoes, trajectory, and style.