Folktales are great for learning dynamic storytelling and how to structure the resonant echoes that give a plot forward motion. It wouldn't be the la… - Nalo Hopkinson

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Folktales are great for learning dynamic storytelling and how to structure the resonant echoes that give a plot forward motion. It wouldn't be the last time that I modeled a plot upon the shell of a preexisting folktale. I've discovered that it doesn't matter whether your readers recognize the folktale. It may not even matter whether the folktale is real, or one you invented. What matters is that it has structure, echoes, trajectory, and style.

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About Nalo Hopkinson

Nalo Hopkinson (born 1960) is a Jamaican science fiction and fantasy writer and editor who lives in Canada.

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Particularly when I speak at schools, people in the audience want to know whether there are going to be films of my books. Myself, I'm more jaundiced. I've seen what can happen when text-based science fiction gets zombified by Hollywood. Look at what happened to Gibson's "Johnny Mnemonic"

She curled up on the pallet and stared into the dark, praying for a peaceful sleep.
Prayers didn’t do no good, oui. Antonio chased her all night. (In the book Antonio, her father, beats and sexually abuses her long-term; she eventually kills him)

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I hope that my vanilla and het sex scenes are graphic and explicit, too! I write. It's an art form. Why would I make the effort to describe a meal or a sunset in a way that's detailed and responds to all the senses, but not do so for a sex scene? Why are "graphic" and "explicit" good in descriptions of walking through a field of lavender in full bloom, but not for a character coming so hard that his eyes roll back in his head?

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