What's needed instead is to state up front at submission time that you want to see submissions from authors of color; to include people of color in s… - Nalo Hopkinson

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What's needed instead is to state up front at submission time that you want to see submissions from authors of color; to include people of color in significant positions on your staff (editorial, marketing, etc.); to educate yourself to the ways in which cultural specificity results in stories being told differently, signifying differently on race, culture, fashion, language, you name it; to recognize that "not seeing race" means that they also can't perceive structural racism; to grasp that racism isn't just a stoned white male musician ranting at his concert that all people of color should be kicked out of the UK. I suspect that only if you do that groundwork will you be able to assess submissions from authors of color on an equal footing with white authors. The Anglophone market is still hugely skewed in overwhelming favor of straight, white, male authors. There are still nowhere near enough translations from other languages into English. (2021)

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About Nalo Hopkinson

Nalo Hopkinson (born 1960) is a Jamaican science fiction and fantasy writer and editor who lives in Canada.

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Additional quotes by Nalo Hopkinson

There are a lot of readers who pride themselves on not paying attention to the identities of their favorite writers. Some of them think this means that they're not prejudiced. I don't know anyone who isn't, myself included. But let's just say for argument's sake that those particular readers in fact are not prejudiced. How many books by writers of color do you think you'll find on their bookshelves? I'd lay odds that if there are any at all, they will be far outnumbered by the books by white authors. Not necessarily because those readers are deliberately choosing mostly white/male authors. They don't have to. The status quo does it for them. So those readers' self-satisfied "I don't know" is really an "I don't care enough to look beyond my nose." And that's cool. So many causes, so little time. But don't pretend that indifference and an unwillingness to make positive change constitute enlightenment. If you truly want to be a colorblind, unprejudiced reader, you can't do so from a place of being racism-blind, or you'll never have the diverse selection of authors you say you'd like. Why get pissed off at people who are fighting for the very thing you say you want? Yet I don't think there's some conspiracy of evil racist editors. There doesn't have to be. The system has its own momentum. In order to be antiracist, you actually have to choose to do something different than the status quo. People who're trying to make positive change (editors and publishers included) have a hell of a battle. Fighting it requires a grasp of how the complex juggernaut of institutionalized marginalization works, and what types of intervention will, by inches, bring that siege engine down.

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