why have things shifted a little? I think that at root it's the vocal, persistent activism of the ones most affected; the people who need positive ch… - Nalo Hopkinson

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why have things shifted a little? I think that at root it's the vocal, persistent activism of the ones most affected; the people who need positive change. (2021)

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About Nalo Hopkinson

Nalo Hopkinson (born 1960) is a Jamaican science fiction and fantasy writer and editor who lives in Canada.

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Additional quotes by Nalo Hopkinson

Reading people like James Baldwin [made me realise] that, if you’re an artist, there’s no reason not to make art out of anything. Sex is a big part of the human experience. It’s something that we’re hardwired to think about. Why would you avoid making art about something that is so all-encompassingly important to human beings?

When I hear a (usually white and usually male) writer trying to shut down a discussion about representation by bellowing that no one should tell him what to write, it sounds very much as though he's trying to change the topic, to make it all about him. To him I'd say: Why not try to further the discussion, rather than trying to, um, censor it? What do you think needs to be done in order to make publishing more representative? Nothing, you say? The doors are already open but we just won't come in? Women, Black people (and purple polka-dotted meerkats) actually "just don't write much science fiction"? Or their books are "only relevant to their communities" (which is often code for "those people are incapable of producing anything of real literary merit")? Funny, how every one of those statements boils down to not being willing to change the status quo. You do realize that you're even drowning out the white voices amongst you that are trying to make some changes along with the rest of us? You do realize that a more representative literary field would be representative of all of us, yourself included?

Folktales are great for learning dynamic storytelling and how to structure the resonant echoes that give a plot forward motion. It wouldn't be the last time that I modeled a plot upon the shell of a preexisting folktale. I've discovered that it doesn't matter whether your readers recognize the folktale. It may not even matter whether the folktale is real, or one you invented. What matters is that it has structure, echoes, trajectory, and style.

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