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" "It's appalling how the puritanically correct in this country fixate on homosexuality to the exclusion of grave moral issues like the suffering of innocents in Iraq.
Jen Sorensen (born September 28, 1974) is an American cartoonist and illustrator who authors a weekly comic strip that often focuses on current events from a liberal perspective. Her work appears on the websites Daily Kos, Splinter, The Nib, Politico, AlterNet, and Truthout; and has appeared in Ms. Magazine, The Progressive, and The Nation. It also appears in over 20 alternative newsweeklies throughout America. In 2014 she became the first woman to win the Herblock Prize, and in 2017 she was named a Pulitzer Finalist in Editorial Cartooning.
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With all this talk of immigrants assimilating (or not assimilating) into "our culture," it's often implied that said culture is white and Christian. But if you consider that America is, in fact, a highly diverse nation of immigrants, the true outliers seem to be those who view the nation as a monolithic body resembling themselves. If anything, it is these folks who have not fully integrated, and who reject American values.
A lot of my comics are informed by my background in cultural anthropology. That's what I majored in during college. I thought I was going to go to grad school and become a professor. There's a fair amount of overlap between cultural anthropology and cartooning, in that both are about observing culture and deconstructing all these things that we think are normal and set in stone. I've always found it fascinating to look at how we live and question why we do what we do. In college I started reading underground comics by Robert Crumb and Peter Bagge, and I was exposed to Matt Groening's Life in Hell and Roz Chast and Tom Tomorrow for the first time. I actually wrote my senior thesis about a womens' underground comics collective called the Twisted Sisters. One of my favorite cartoonists from this group was the awesomely funky Leslie Sternbergh, who I had the pleasure of befriending years later. Eventually, I got tired of writing papers and burned out on academia. I started to think that maybe I wasn't going to go to grad school, I was just going to draw cartoons.
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Every so often, something happens that reminds you viscerally of the supremely unfair, amoral nature of the universe. For me, the death of Molly Ivins was one of those things. A genuinely funny woman with whom I agreed more consistently than perhaps any other pundit, Molly was often a source of inspiration to me. Her columns planted the seed for more than one Slowpoke cartoon.