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" "Dickens took great interest in theatrical affairs, and was very fond of theatrical society. He had a lifelong affection for , and a great regard for and ; of the latter he said once to me, "He has the brain of a man, combined with that strange power of arriving, without knowing how or why, at the truth, which one usually finds only in a woman." He had also a liking for , , , , and the . He saw most of the pieces which were produced from time to time, but he delighted in the irregular drama, the shows and booths and circuses.
(3 July 1831 – 20 May 1894) was a British journalist, novelist, playwright, editor, lecturer, and publicist. Yates, a close friend of Charles Dickens, was involved in a .
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... in collaboration with Harrington I wrote an entertainment for Mr. George Case, a well-known musical man and player of the concertina, who retired from the orchestra on his marriage with a Miss Grace Egerton, a pretty and uncommonly sprightly and clever little actress, who ought to have done better things.
In buying a pair of horses from a dealer, the experienced purchaser is generally aware that he will become the owner of a good animal and a bad one, and the writer of entertainments for a married couple is very often in an analogous position.
But far the best of all these panoramic shows was the series exhibited at the in , called "The Overland Route," and representing all the principal places between Southampton and Calcutta. This was the work of those admirable scene-painters, and William Telbin, and was executed in their painting-rooms in , , a notorious thieves' quarter. The human figures were by , the animals by and . Such a combination of excellence had never seen, and a clear, concise, and most pleasantly delivered descriptive comment on the passing scene by , an author and journalist of the day, enhanced the success, which was tremendous.
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... No one succeeds better than Mr. Thackeray in cutting his coat according to his cloth. Here he flattered the aristocracy; but when he crossed the Atlantic, George Washington became the idol of his worship, the "" the object of his bitterest attacks. These last-named lectures have been dead failures in England, though as literary compositions they are most excellent.