"Don't think of what's past!" said she. "I am not going to think outside of now. Why should we! Who knows what tomorrow has in store? " - Thomas Hardy

There were a few middle-aged and even elderly women in the train, their silver-wiry hair and wrinkled faces, scourged by time and trouble, having almost a grotesque, certainly a pathetic, appearance in such a jaunty situation. In a true view, perhaps, there was more to be gathered and told of each anxious and experienced one, to whom the years were drawing nigh when she should say, 'I have no pleasure in them', than of her juvenile comrades. But let the elder be passed over here for those under whose bodices the life throbbed quick and warm.

The industrialisation of England had quickened during Hardy’s life and in the novel he places great importance on rural culture and the need of man to interact with, and understand the natural world, however indifferent it may be to human survival. The author does not sketch a portrait of an idyllic rural scene, but highlights and details the devastating consequences and brute force of the natural world. Hardy uses these disasters to underline the prominence of chance or luck in life, rather than benevolent design by a creator and how this might impact moral decisions. Impressionist art also influences Hardy’s perception of reality and what knowledge each individual is capable of attaining in any situation.

It often happens that in situations of unrestraint, where there is no thought of the eye of criticism, real feeling glides into a mode of manifestation not easily distinguishable from rodomontade. A veneer of affectation overlies a bulk of truth, with the evil consequence, if perceived, that the substance is estimated by the superficies, and the whole rejected.