Sadly, Bollywood doesn’t invest in R&D. That’s why most of our films have no insights to offer. As a result, small, independent films have become the… - Vivek Agnihotri

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Sadly, Bollywood doesn’t invest in R&D. That’s why most of our films have no insights to offer. As a result, small, independent films have become the R&D lab for the Indian film industry. These films have to do an extraordinary research, for their only strength is transporting the audience to another universe, where they can feel and relate with the characters, their concerns, and their behaviour. In the mainstream films, the world is unreal, devoid of any real human concern, and the characters are like caricatures. Hence, this kind of cinema ends up becoming ‘Escapist Cinema’. Like a circus.

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About Vivek Agnihotri

Vivek Ranjan Agnihotri (born 10 November 1973) is an Indian film director, screenwriter, and author. As of 2019, he is member on the panel of Central Board of Film Certification.

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Alternative Names: Vivek Ranjan Agnihotri
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The intellectual hierarchy has been demolished. It’s a sad commentary that in the world’s largest democracy, writers’ protest has become a subject of jokes. The power-hungry artists, writers, academics, and media-persons in India waste a huge amount of time making political statements to hide behind their lack of intellectual stands. Michel Houellebecq wrote Submission, a strong political statement; he didn’t get press coverage for returning some award. The lustre is gone from our intellectual discourse. Secularism has lost its ideological currency. Artists, writers, activists are all suspect. Media czars have lost their access to the corridors of power and to people’s hearts. It’s the overclass’ space that has been taken over by the underclass. Their discomfort is with the new order where the others are also heard. Hence, the feeling of shrinking space. They are intolerant of this new phenomenon – the emergence of the underclass. They try to devalue this new, empowered underclass by associating it with Modi and, therefore, Hindutva, and that’s a grave mistake. The universe that was full of their voice has expanded to accommodate this new voice. This is what they call an attack on FoE and growing intolerance.

But as soon as you enter a university, we witness a radical and communal face of Communism. Here, they propagate the weaknesses and evils of Hindu culture. They manipulate and twist ancient books to misrepresent them and provoke students. For example, they use Tulsidas' chaupai, without mentioning the rest of the Ramcharitmanas, which is the real context. "ढोल गंवार शूद्र पशु नारी, सकल ताडना के अधिकारी." Dhol ganvar shudra pashu nari, sakal tadana ke adhikari. The above lines are spoken by the Sea Deity Samudra to Ram. When Lord Ram got angry and took out his weapon in order to evaporate the whole sea, the deity appeared and said the above lines in the context of boundaries that are created by God himself in order to hold his creations. What Leftists do is that they very cleverly translate it literally in Hindi, ignoring the fact that Ramcharitmanas is written in Awadhi and the same word means one thing in Hindi and another in Awadhi. While the literal meaning of the line in Hindi is 'Drums, the illiterate, lower caste, animals and women deserve a beating to straighten up and get the acts together', its real meaning in Awadhi is different. In Awadhi, tadna means to take care, to protect. Whereas, in Hindi, the same word means punishment, torture, oppression. Samudra meant that like drums, the illiterate, Shudra, animals and women need special care and need to be protected in the boundary of a social safety net. In the same way, the sea also needs to reside within the boundaries created by God. And hence, Samudra gave the suggestion to create the iconic Ram Setu. Here, Shudra doesn't mean lower caste or today's Dalit. It meant people employed in cottage industries. I remember there is a book by R.C. Dutta, Economic Interpretation of History, in which he has said that when the Indian economy was based on the principles of Varna, handicrafts accounted for over twenty-five percent of the economy. Artisans and labour who were involved in the handicraft business were called 'Shudra'. If there was so much caste-based discrimination, why would Brahmins use their produce? Both Dutta and Dadabhai Naoroji have written that the terminology of 'caste discrimination' was used by the British to divide Indian society on those lines. Manish continues, Like the British, they provoke young students to believe that Hindu scriptures are against Dalits and women and want them to suffer torture. Young students are emotional and passionate. They come here with the dream of changing the world. The concept of "revolution" attracts them and they get swayed by an illogical logic.

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But after this show with Barkha, they stopped taking my calls and till date, I don’t know what made an advanced negotiation stop without any further discussion. I found it strange and I had no idea then that suddenly I had created lots of Gudsa Usendis who didn’t want me to succeed with this film. They were using all their tactics to destroy me. I had only two choices: speak up or shut up. I spoke up.

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