The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the … - Leonardo da Vinci

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The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

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About Leonardo da Vinci

Leonardo di ser Piero da Vinci (15 April 1452 – 2 May 1519) was an Italian Renaissance painter, architect, inventor, engineer, sculptor, and musician. His best known painting is the Mona Lisa.

Biography information from Wikiquote

Also Known As

Alternative Names: Leonardo di ser Piero da Vinci Leonardo da Vinci Leonard Léonard Leonardo Da Vinci

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"Further than this, influenced by Platonic thought, Leonardo's conception of painting was, as an intellectual state or condition, outwardly projected. The painter who practised his art without reasoning of its nature was like a mirror unconsciously reflecting what was before it. Although without a "manual act" painting could not be realized, its true problems — problems of light, of colour, pose and composition, of primitive and derivative shadow — had all to be grasped by the mind without bodily labour. Beyond this, the scientific foundation in art came through making it rest upon an accurate knowledge of nature. Even experience was only a step towards attaining this."

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