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" "On the whole, however, art is free, shameless, irresponsible, and, as I said: the movement is intense, almost feverish, like, it seems to me, a snakeskin full of ants. The snake itself has long been dead, eaten, deprived of its poison, but the skin moves, filled with meddlesome life.
Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, screenwriter, and producer whose unique cinematographic style made him one of the most notable directors of the twentieth century.
Biography information from Wikiquote
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He's done two masterpieces, you don't have to bother with the rest. One is Blow-Up, which I've seen many times, and the other is La Notte, also a wonderful film, although that's mostly because of the young Jeanne Moreau. In my collection I have a copy of Il Grido, and damn what a boring movie it is. So devilishly sad, I mean. You know, Antonioni never really learned the trade... He concentrated on single images, never realising that film is a rhythmic flow of images, a movement. Sure, there are brilliant moments in his films. But I don't feel anything for L'Avventura, for example. Only indifference. I never understood why Antonioni was so incredibly applauded. And I thought his muse Monica Vitti was a terrible actress.
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