47 Quotes Tagged: film

[Pauline Kael] had no theory, no rules, no guidelines, no objective standards. You couldn’t apply her ‘approach’ to a film. With her it was all personal.

Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief…. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l’originalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight.

The sad thing is that when movies like this fail, executives think that proves there's no audience for unusual, original pictures - because they think they've made one.

A poet is someone who can use a single image to send a universal message.

Gene [Siskel] often mentioned something François Truffaut once told him: the most beautiful sight in a movie theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience.

Minus: Papa, I'm scared. When I was hugging Karin in the boat, reality burst open. Do you understand?

David: I do.

Minus: Reality burst open, and I tumbled out. It's like a dream. Anything can happen. Anything.

David: I know.

Minus: I can't live in this new world.

David: Yes, you can. But you must have something to hold on to.

Minus: What would that be? A god? Give me proof of God. You can't.

David: Yes, I can. But you have to listen carefully.

Minus: Yes, I need to listen.

David: I can only give you a hint of my own hope. It is to know that love exists as something real in the human world.

Minus: A special kind of love, I suppose?

David: All kinds, Minus. The highest and the lowest, the most absurd and the most sublime. All kinds of love.

Minus: And the longing for love?

David: Longing and denial. Trust and distrust.

Minus: Then love is the proof?

David: I don't know if love is proof of God's existence, or if love is God himself.

Minus: To you, love and God are the same thing.

David: That thought helps me in my emptiness and despair.

Minus: Tell me more, Papa.

David: Suddenly the emptiness turns into abundance, and despair into life. It's like a reprieve, Minus, from a death sentence.

Minus: Papa... If it is as you say, then Karin is surrounded by God, since we love her.

David: Yes.

Minus: Can that help her?

David: I believe so.

Minus: ... Papa, would you mind if I go for a run?

David: Off you go. I'll make dinner. See you in an hour.

Minus: ... Papa spoke to me.

Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.

No other art can compare with cinema in the force, precision, and starkness with which it conveys awareness of facts and aesthetic structures existing and changing within time.

I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it.

Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change.

Summer movie idea: take all the sequels that are out right now, and make movies about their backstories.

...When the bespangled Miss Charisse wraps her phenomenal legs around [Fred] Astaire, she can be forgiven everything — even the fact that she reads her lines as if she learned them phonetically.

I'm sure anyone who likes a good crime, provided it is not the victim.

Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.