No other art can compare with cinema in the force, precision, and starkness with which it conveys awareness of facts and aesthetic structures existin… - Andrei Tarkovsky

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No other art can compare with cinema in the force, precision, and starkness with which it conveys awareness of facts and aesthetic structures existing and changing within time.

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About Andrei Tarkovsky

Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский) (4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist and opera director.

Biography information from Wikiquote

Also Known As

Birth Name: Andrei Arsenyevich Tarkovsky
Native Name: Андрей Арсеньевич Тарковский
Alternative Names: Andrej Tarkovskij Andrei Tarkovski Andrej Tarkovszkij And. Arsenʹevich Tarkovskiĭ Andrey Arsenyevich Tarkovsky Andreĭ Arsenʹevich Tarkovskĭi Andrei Tarkovskij Andreĭ Arsenévich Tarkovskiĭ Andrey Tarkovsky Andreĭ Arsen'evich Tarkovskiĭ Andrej Tarkowskij Andreiĭ Arsen'evich Tarkovskiĭ Andrei Arsen'evich Tarkovskii

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Additional quotes by Andrei Tarkovsky

I have a horror of tags and labels. I don't understand, for instance, how people can talk about Bergman's "symbolism". Far from being symbolic, be seems to me, through and almost biological naturalism, to arrive at the spiritual truth about human life that is important to him.

Perhaps cinema is the most personal art, the most intimate. In cinema only the author's intimate truth will be convincing enough for the audience to accept.

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Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken a wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalized action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself, it serves another, higher, and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling.

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