Murder was deeply human. A person was killed and a person killed. And what powered the final thrust wasn't a whim, wasn't an event. It was an emotion… - Louise Penny

She was stuffing her innards back. Sewing herself up, putting her skin, her make-up, her party frock back on.

Clara Morrow had painted Ruth as the elderly, forgotten Virgin Mary. Angry, demented, the Ruth in the portrait was full of despair, of bitterness. Of a life left behind, of opportunities squandered, of loss and betrayals real and imagined and created and caused. She clutched at a rough blue shawl with emaciated hands. The shawl had slipped off one bony shoulder and the skin was sagging, like something nailed up and empty.
“And yet the portrait was radiant, filling the room from one tiny point of light. In her eyes. Embittered, mad Ruth stared into the distance, at something very far off, approaching. More imagined than real.
Hope.
Clara had captured the moment despair turned to hope. The moment life began. She’d somehow captured Grace.

People instinctively let down their guard when they saw a limp, an illness, a flaw in someone else. Not out of compassion but because it made them feel superior. Stronger. Those people, Gamache knew, did not always last long. It was not a useful instinct.