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" "… Trilobite expert, tiddlywinks player, mushroom hunter, poetry enthusiast and ardent lover of the museum, Fortey joined the staff of the paleontology department in 1970. He tells us that at the time he joined, the museum was so hierarchical that there were separate lavatories for “scientific officers” and “gentlemen.” (Both, however, were supplied with toilet paper that had “Government Property” stamped on each sheet.)
(15 February 1946 – 7 March 2025) was an English , and palaeontologist, specialising in s. After graduating with a PhD in geology from the University of Cambridge, he had a long career as curator and palaeontologist at London’s . He was elected in 1997 a Fellow of the Royal Society and in 2007 President of the Geological Society of London. Two of his books became bestsellers. He was awarded in 2000 the , in 2003 the , and in 2006 both the and the .
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It was that did it for me. “Dr was an eccentric in the grand manner … he always wore hand-tooled cowboy boots with elaborate curlicues in the stitching and a hat and jacket to match. He was very shortsighted, and tended to stumble along in the purposeful way adopted by the cartoon character Mr Magoo, while mumbling vigorously to himself.”
The Magoo lookalike also carries a whip and a six-shooter, but that is not what matters most about him: what matters is that he was an expert on the s of the .
.. A book that starts with slimy things in the oceans and continues to the dawn of human civilisation in the must offer more than just a procession of challenging concepts and unfamiliar words, and accordingly up pops Mr Magoo, with whom Fortey (himself big on the trilobites of the Ordovician) once shared a hotel room.
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In 2011, after retiring from his role as senior palaeontologist at the Natural History Museum, and following a windfall from presenting a TV series, Fortey purchased four acres of prime and wood. Located in the , a mile from his hometown of , Grim’s Dyke Wood is the very patch that had Mill so enraptured two centuries ago. Though it has changed in the intervening years, it is still a glorious spot – Fortey’s initial intention was to use the wood as a way to “escape into the open air”, to record a rich ecology of living wildlife following a career locked away in dusty museums studying dead things. He soon realised, however, that any portrait of the place would be incomplete without its human histories, too.