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There is nothing more alone than being in a car at night in the rain. I was in the car. And I was glad of it. Between one point on the map and anothe… - Robert Penn Warren
" "There is nothing more alone than being in a car at night in the rain. I was in the car. And I was glad of it. Between one point on the map and another point on the map, there was the being alone in the car in the rain. They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do which is what you are, only has meaning in relation to other people. That is a very comforting thought when you are in the car in the rain at night alone, for then you aren't you, and not being you or anything, you can really lie back and get some rest. It is a vacation from being you. There is only the flow of the motor under your foot spinning that frail thread of sound out of its metal guy like a spider, that filament, that nexus, which isn't really there, between the you which you have just left in one place and the you which you will be where you get to the other place.
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About Robert Penn Warren
Robert Penn Warren (April 24 1905 – September 15 1989) was an American poet, novelist, and literary critic, and one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He received the 1947 Pulitzer Prize for the Novel All the King's Men (1946) and in 1957 and 1979, the Pulitzer Prize for Poetry. He is the only person to have won Pulitzer Prizes for both fiction and poetry.
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Additional quotes by Robert Penn Warren
He was a lawyer now and it had taken him a long time. It had taken him a long time because he had had to be a lawyer on his own terms and in his own way. But that was over. But maybe it had taken him too long. If something takes too long, something happens to you. You become all and only the thing you want and nothing else, for you have paid too much for it, too much in wanting and too much in waiting and too much in getting. In the end they just ask you those crappy little questions.
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore.
And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
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