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" "It is impossible to understand Art and the glory of its history without avowing religious spirituality and the mythical roots that lead us to the very reason of being of the artistic phenomenon. Without the one or the other there would be no Egyptian pyramids or those of ancient Mexico. Would the Greek temples and Gothic cathedrals have existed? Would the amazing marvels of the Renaissance and the Baroque have come about? And in another field, would the ritual dances of the so-called primitive cultures have developed? Would we now be the heirs of the inexhaustible artistic treasure of worldwide popular sensitivity? Without the desire for God, our planet would be a sorry wasteland of ugliness.
Luis Barragán (9 March 1902 - 22 November 1988) is considered the most important Mexican architect of the 20th century. He created an architectural style that combined modernism with the colonial and prehispanic architecture of Mexico. In 1980, he became the second winner of the Pritzker Prize. His house and studio, built in 1948 in Mexico City, was listed as a UNESCO World Heritage site in 2004.
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I welcome the opportunity to express my admiration for the United States of America, generous patron of the arts and sciences, which — as in so many instances — has transcended its geographical frontiers and purely national interests to confer this high distinction on a son of Mexico, thus recognizing the universality of cultural values and, in particular, those of my native country.
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Being a Catholic, I have frequently visited with reverence the now empty monumental monastic buildings that we inherited from the powerful religious faith and architectural genius of our colonial ancestors, and I have always been deeply moved by the peace and wellbeing to be experienced in those uninhabited cloisters and solitary courts. How I have wished that these feelings may leave their mark on my work.