The pure, frank sentiments we hold in our hearts are the only truthful sources of art. A painting which does not take its inspiration from the heart is nothing more than futile juggling. All authentic art is conceived at a sacred moment and nourished in a blessed hour; an inner impulse creates it, often without the artist being aware of it.
German Romantic landscape painter (1774–1840)
Caspar David Friedrich (5 September 1774 – 7 May 1840) was a 19th century German painter, considered by many critics to be one of the finest representatives in Europe of the art-movement Romanticism.
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The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children.. .There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.
The picture [Friedrich's painting: 'The Cross on the Baltic Sea' ] for your friend has already been sketched out, but there is no church in it, not a single tree or plant, not a blade of grass. On a bare and rocky seashore there stands, high up, the cross - for those who see it that way, a consolation, and for those who don't see it that way, just a cross.
People say of such-and-such a painter that he has great command of his brush. Might it not be more correct to say that he is controlled of his brush? Merely for the satisfaction of his vanity, to paint brilliantly and display skill with the brush, he has sacrificed the nobler considerations of naturalness and truth – and thus achieved sorry fame as a brilliant technician.
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In this big moonlit landscape by the painter N.N., that deservedly celebrated technician, one sees more than one would wish, or that can actually be seen by moonlight. But what the perceptive, sensitive soul looks for in every painting, and rightly expects to find, is missing.. ..If that painter could find it in himself to paint fewer, but more deeply-felt, pictures instead of so many clever ones, his contemporaries and posterity would be more grateful to him.