The wisest mind hath something yet to learn. - George Santayana
" "The wisest mind hath something yet to learn.
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About George Santayana
Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (16 December 1863 in Madrid, Spain – 26 September 1952 in Rome, Italy) was a Spanish-American philosopher, essayist, poet and novelist.
Biography information from Wikiquote
Also Known As
Alternative Names:
Jorge Santayana
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Jorge Augustín Nicolás Ruiz de Santayana
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Jorge Augustin Nicolas Ruiz de Santayana
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Jorge Agustín Nicolás Ruiz de Santayana y Borrás
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Additional quotes by George Santayana
A mind persuaded that it lives among things that, like words, are essentially significant, and that what they signify is the magic attraction, called love, which draws all things after it, is a mind poetic in its intuition, even if its language be prose. The science and philosophy of Dante did not have to be put into verse in order to become poetry: they were poetry fundamentally and in their essence. When Plato and Aristotle, following the momentous precept of Socrates, decreed that observation of nature should stop and a moral interpretation of nature should begin, they launched into the world a new mythology, to take the place of the Homeric one which was losing its authority. The power the poets had lost of producing illusion was possessed by these philosophers in a high degree; and no one was ever more thoroughly under their spell than Dante. He became to Platonism and Christianity what Homer had been to Paganism; and if Platonism and Christianity, like Paganism, should ever cease to be defended scientifically, Dante will keep the poetry and wisdom of them alive; and it is safe to say that later generations will envy more than they will despise his philosophy. When the absurd controversies and factious passions that in some measure obscure the nature of this system have completely passed away, no one will think of reproaching Dante with his bad science, and bad history, and minute theology. These will not seem blemishes in his poetry, but integral parts of it.
The tendency of everything to maintain and propagate its nature is simply the inertia of a stable juxtaposition of elements, which are not enough disturbed by ordinary accidents to lose their equilibrium; while the incident of a too great disturbance causes that disruption we call death , or that variation of type , which , on account of it's incapacity to establish itself permanently, we call abnormal. Nature thus organizes herself into recognizable species ; and the aesthetic eye ,studying her forms ,tends ,as we have already shown , to bring the type within even narrower limits than do the external exigencies of life
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