موسیقی دوست رازداری نیست: محرمانه‌ترین اندیشه های انسان را فاش می‌سازد - Romain Rolland

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موسیقی دوست رازداری نیست: محرمانه‌ترین اندیشه های انسان را فاش می‌سازد

Persian
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About Romain Rolland

Romain Rolland (29 January 1866 – 30 December 1944) was a French writer who received the Nobel Prize for Literature in 1915 after the publication of his major work, Jean-Christophe.

Biography information from Wikiquote

Also Known As

Alternative Names: R.Rolland

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Additional quotes by Romain Rolland

But Melchior was one of those men who always do the opposite of what is expected of them and of what they expect of themselves. It is not that they are not warned — a man who is warned is worth two men, says the proverb. They profess never to be the dupe of anything, and that they steer their ship with unerring hand towards a definite point. But they reckon without themselves, for they do not know themselves. In one of those moments of forgetfulness which are habitual with them they let go the tiller, and, as is natural when things are left to themselves, they take a naughty pleasure in rounding on their masters. The ship which is released from its course at once strikes a rock, and Melchior, bent upon intrigue, married a cook. And yet he was neither drunk nor in a stupor on the day when he bound himself to her for life, and he was not under any passionate impulse; far from it. But perhaps there are in us forces other than mind and heart, other even than the senses — mysterious forces which take hold of us in the moments when the others are asleep; and perhaps it was such forces that Melchior had found in the depths of those pale eyes which had looked at him so timidly one evening when he had accosted the girl on the bank of the river, and had sat down beside her in the reeds — without knowing why — and had given her his hand.

The vast and tranquil metaphysics of India is unfolded; her conception of the universe, her social organization, perfect in its day and still capable of adaptation to the demands of modern times; the solution which she offers for the feminist problem, for the problems of the family, of love, of marriage; and lastly, the magnificent revelation of her art. The whole vast soul of India proclaims from end to end of its crowded and well ordered edifice the same domination of a sovereign synthesis." There is no negation. All is harmonized. All the forces of life are grouped like a forest, whose thousand waving arms are led by Nataraja, the master of the Dance. Everything has its place, every being has its function, and all take part in the divine concert, their different voices, and their very dissonances, creating, in the phrase of Heraclitus, a most beautiful harmony. Whereas in the West, cold, hard logic isolates the unusual, shutting it off from the rest of life into a definite and distinct compartment of the spirit. India, ever mindful of the natural differences in souls and in philosophies, endeavors to blend them into each other, so as to recreate in its fullest perfection the complete unity. The matching of opposites produces the true rhythm of life.

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