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School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint a… - Georgia O'Keeffe
" "School and things that painters have taught me even keep me from painting as I want to. I decided I was a very stupid fool not to be at least paint as I wanted to and say what I wanted to when I painted as that seemed to be the only thing I could do that didn't concern anybody but myself.. .I found that I could say things with colour and shapes that I couldn't say in any other way things that I had no words for.
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About Georgia O'Keeffe
Georgia Totto O'Keeffe (15 November 1887 – 6 March 1986) was an American modernist painter. She was known for her paintings of enlarged flowers, New York skyscrapers, and New Mexico landscapes. O'Keeffe has been called the "Mother of American modernism". O'Keeffe is a major figure in American art. She is chiefly known for paintings in which she synthesizes abstraction and representation in paintings of flowers, rocks, shells, animal bones and landscapes. Her paintings present crisply contoured forms that are replete with subtle tonal transitions of varying colors, and she often transformed her subject matter into powerful abstract images.
Also Known As
Pen Names:
Okeef, Georgia
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Okeefe, Georgia
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O'Keeffe, Georgia Totto
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Stieglitz, Georgia O'Keeffe
Alternative Names:
Mrs. Alfred Stieglitz
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Georgia O'Keeffe Stieglitz
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Alfred, Mrs. Stieglitz
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Georgia Totto O'Keeffe
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Georgia O' Keeffe
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Georgia Stieglitz
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O'Keeffe
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Georgia O’Keeffe
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Additional quotes by Georgia O'Keeffe
Bement [her art teacher] told me things to read. He told me of exhibitions to go and see [c. 1917].. ..the two books that he told me to get were Jeromy Eddy 'Cubists and Post-impressionism' and Kandinsky 'On the Spiritual of Art'... It was some time before I really begun to use the ideas. I didn't start at until I was down in Carolina — alone — thinking things out for myself.
I got a new Ford and learned to drive it – I even painted – and I laughed a great deal – I went every place that I had time for – and I am ready to go back East as long as I have to go sometime – If it were not for the Stieglitz call I would probably never go – but that is strong – so I am on the way ... I hope a little of it stays with me till I see you – It is my old way of life – you wouldn't like it – it would seem impossible to you as it does to Stieglitz, probably – but it is mine – and I like it – I would just go dead if I couldn't have it..
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Later I had two green ones [alligator pears] — not so perfect. I painted them several times [c. 1920] when the men [American modernist artists, a.o. Marsden Hartley ] didn't think much of what I was doing. They were all discussing Paul Cézanne, with long involved remarks about the 'plastic quality' of his form and colour. I was an outsider. My colour and form were not acceptable. It had nothing to do with Cézanne or anything else. I didn't understand what they were talking about why one colour was better than another.. .Years later when I finally got to Cézanne's Mont Sainte-Victoire in the south of France, I remember sitting there thinking, 'How could they attach all those analytical remarks to anything he did with that mountain?' All those entire words piled on top of that poor little mountain seemed too much.
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