I love you,” he says, and the fact that he doesn’t makes it true. - John Updike

Nevertheless, we react to one a bit differently than we do to Rothko’s hovering panels or Barnett Newman’s stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. … The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved.

When you feel irresistable, you're hard to resist.

No matter how cheerful and blameless the day’s activities have been, when you wake in the middle of the night there is guilt in the air, a gnawing feeling of everything being slightly off, wrong — you in the wrong, and the world too, as if darkness is a kind of light that shows us the depth we are about to fall into.