With Batman & Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which… - James Berardinelli

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.

As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.

It's useless to advise people not to see Independence Day, so I'll issue a warning instead: curb your enthusiasm and don't expect much. With suitably low expectations, you're likely not to be too disappointed, unless you make the mistake of actually thinking about what's taking place on-screen while it's going on. The last half hour is built on a series of contrivances and implausibilities that even a six-year old could find serious flaw with, so be prepared to use the "brain off" switch. But Independence Day isn't about logic and intelligence. It's about space battles, mass destruction, and a laughably "rousing" speech by the President. This is a spectacle, pure and simple. Unfortunately, because the filmmakers mistakenly tried to inject a load of weak dramatic elements, Independence Day turns out to be overlong, overblown, and overdone. For alien invasions this summer, give me The Arrival instead.