The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only … - James Berardinelli

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The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.

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About James Berardinelli

James Berardinelli (born September 25, 1967) is an American online film critic.

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Alternative Names: ReelViews
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I have to report that this motion picture is arguably the worst piece of cinematic crap I have ever experienced theatrically. Hyperbole, you wonder? I looked through my list of zero-star movies and couldn't find one entry (except the immortal Zombie vs. Mardi Gras, which was a straight-to-video release) that ranked as more difficult to endure. Words like abomination and travesty don't do this movie justice. Sitting through Freddy Got Fingered was one of the most depressing experiences in my 10 years of reviewing films. It's not even enjoyable on a campy level. It's just bad, bad, bad, bad, bad, bad, bad - Directed By Tom Green.

Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.

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When a movie is this bad, it's hard to adequately describe its awfulness in words. The temptation exists to write something along the lines of: "Something this horrible has to be seen to be believed." Of course, that kind of advice would lead to e-mail death threats and other assorted nasty comments from those who spend money on The Devil's Rejects. … Aside from its poor production values, horrendous acting, and ignoble morality, The Devil's Rejects isn't engaging cinema. Even if the simple act of sitting in a movie theater watching people get hacked up for 90 minutes doesn't bother you, the dullness and repetition is likely to.

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