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The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I… - Céline Sciamma
" "The last scene came really, really early, disconnected from even the idea of a woman painter…I wanted to write a love story and I thought, ‘What do I want to tell?’ And that scene came up really, really quickly, alone, by itself. The weird compass of the film was its last scene. That’s a compass, but it’s a high pressure one.
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About Céline Sciamma
Céline Sciamma (born November 12, 1978) is a French film director and screenwriter.
Also Known As
Alternative Names:
Celine Sciamma
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C. Sciamma
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Sciamma, Céline
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Additional quotes by Céline Sciamma
It's a very bourgeois industry. There's resistance to radicalism, and also less youth in charge. "A film can be feminist?" They don't know this concept. They don't read the book. They don't even know about the fact that "male gaze" exists. You can tell it's a country where there’s a lot of sexism, and a strong culture of patriarchy.
We call models "muses", and that's mostly what's left in the history of art for women artists...Dora Maar was the muse of Picasso but also a photographer at the centre of the surrealist scene. And |Gabrièle Picabia was the wife of [avant-garde painter [[w:Francis Picabia||Francis] Picabia]] but also the brain of his work. It's about co-creation, not this fetishised, silent woman standing there beautiful and mute
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A few weeks ago I went to a screening of 'Portrait of a Lady on Fire' at Utopia. I'm not a very introspective person but when I get on that stage, it feels even more overwhelming than showing my films at the Cannes film festival. Because standing there, I'm so close to my past. I can see how far I've come.
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