The trouble with superheroes is what to do between phone booths. - Ken Kesey

Hank was walking barefoot up the dock, carrying his sweatshirt over a freckled shoulder and his boots clamped between thumb and finger of that maimed hand. Lee marveled at the scamper of small muscles across the narrow white back, at the swing of the arms and the lift of the neck. Did it take that much muscle just to walk, or was Hank showing off his manly development? Every moment constituted open aggression against the very air through which Hank passed. He doesn't just breathe, Lee decided, listening to Hank's broken-nosed puffing, he gobbles the oxygen. He doesn't just walk; he consumes distance step by carnivorous step. Open aggression is what it is all right, he concluded.

Yet couldn't help but notice the way those shoulders seemed to savor the swing of the arms, or the way those feel relished the feel of the dock. These people...am I one of these people?

And then some guy wandering as lost as you would all of a sudden be right before your eyes, his face bigger and clearer than you ever saw a man’s face before in your life. Your eyes were working so hard to see in that fog that when something did come in sight every detail was ten times as clear as usual, so clear both of you had to look away. When a man showed up you didn’t want to look at his face and he didn’t want to look at yours, because it’s painful to see somebody so clear that it’s like looking inside him, but then neither did you want to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it might be, or you could relax and lose yourself.

That ain't me, that ain't my face. It wasn't even me when I was trying to be that face. I wasn't even really me them; I was just being the way I looked, the way people wanted.